Finding North

GrotesqueThere comes a time when I step back from my work, and realize there is nothing more to be done. There is no additional brush stroke that will make this a better painting. There is nothing more that needs to be typed in the manuscript. There are no embellishments to add to a book. It is finished. It makes no difference whether the painting was begun that morning or the book has taken months to complete. The realization rushes over me like a wave. At that moment, I am of two minds. The sense of accomplishment conflicts with a sense of loss. Now what? I am faced with two choices. I can simply relax and let the wave carry me or I can rise to the surface.   Sometimes, I do both.   I raise a glass of wine and celebrate my “masterpiece.”    And then I begin to sketch.

When I paint, write, or just work, I feel a sense of purpose that comes from being focused on my task. There is a reason for everything that happens, as I mix my color, knock out a piece of wood with my Dremel, or choose an end paper for a book.   Like a compass that points north, I know my direction. For whatever reason, once the work is complete, the compass becomes errant. I putter around the studio, tidying up this, and starting that, with no sense of what I need to accomplish next. Sketching helps bring me back to North.

The sketch to the left is one of a series of grotesques I recently began, inspired by the countless faces I see in pieces of driftwood washed up in Pacific storms.

Christmas in Paris

I have decided to title my blogs, Playing Hide and Go Seek in the Dark, after a collection of stories mentioned under the tab,  Art of the Book.    From time to time the stories and observations from the book will find their way into this blog page amongst my other musings, announcements, or events of note. There will be no need to make an announcement when I do so. I think you will be able to tell the difference.   Because it is so close to Christmas, I have decided my first blog should be a Christmas Story.  And yes, it is one of those stories.Line

Christmas in Paris IIWhat is Christmas without a surprise or two?  Sitting at Gare du Nord on Christmas Day, a shadow crosses my open journal.  I look up and lock eyes with an old man wearing a black beret.  We quickly learn our repertoire in the others language is limited to just a few words.  Nevertheless, in a few minutes, using mostly gestures, we establish a rapport in which he learns I am on my way to Amsterdam and he in turn, lives alone in Paris, a short distance away. 

More gestures and I learn he would like me to enjoy a cup of coffee with him.  Tentatively, I accept the invitation and we walk out of the train station, his hand on my arm into the cold greyness that is Paris in winter.  Over more like a bowl than a cup of coffee, I receive my first lesson in French while he in turn, receives perhaps his first lesson in Anglais.  Pointing to my watch, I indicate I have a train to catch, and escorting me back to the station he points to a later departure time and beckons for me to follow.  I throw caution to the winds and walk with him through the doors of the station, leaving the warmth and safety of Gare du Nord behind. 

It had never been my plan to share Christmas with a stranger, but I suddenly realize how far away I am from home.  We walk a short distance to a nondescript building near Notre Dame and climb a narrow staircase to his simple garret apartment.  Motioning to a chair, he begins to pull a feast from his small refrigerator.  Frommage, un petit jambon, and fruit; all that he has, soon fills a small table along with two bottles of vin and a baguette.  It is indeed a feast as only could be enjoyed between two lifelong friends.  Many a toast is proffered as I receive a second lesson in french, learning the word for everything on the table and writing them down in my journal.  We toast our good fortune with a cordial of pungent green liqueur which we drink through a sugar cube.  Was it absinthe?  He writes in my journal, Chartreuse. 

A hand shakes my shoulder and I open my eyes. I do not remember following asleep in the chair.  Panic strikes  briefly as I quickly check my inside pockets for passport, wallet and ID; all still there.  He points to his watch and indicates it is 5am and time to return to the station and continue my journey to Amsterdam. I take a deep breath in relief and stand, reaching for my backpack, eager to leave. 

At the train station, he holds both of my arms in an embrace and kisses me on each cheek.  Then he is gone, the snow swirling around me on the platform.  I turn to look at the empty track.  My train had left five minutes before our arrival.  I don’t care.  Amsterdam would have to wait one more day as I set off to explore Paris.

Line

 

For inquiries, contact the artist at
mark@markhoppmannart.com
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